{"id":67688,"date":"2024-05-05T09:26:11","date_gmt":"2024-05-05T07:26:11","guid":{"rendered":"https:\/\/ronahi.net\/ku\/?p=67688"},"modified":"2024-05-07T11:38:47","modified_gmt":"2024-05-07T09:38:47","slug":"di-ve-sedsale-de-wateya-romana-gerduni-ci-ye","status":"publish","type":"post","link":"https:\/\/ronahi.net\/ku\/?p=67688","title":{"rendered":"Di v\u00ea sedsal\u00ea de wateya \u201cRomana Gerd\u00fbn\u00ee\u201d \u00e7i ye?"},"content":{"rendered":"<p><strong>Navenda n\u00fb\u00e7eyan<\/strong><\/p>\n<p>C\u00eehana edeb\u00ee ya gerd\u00fbn\u00ee, di sedsala 16an de dema w\u00eaje wek\u00ee qada teko\u015f\u00een\u00ea derket\u00eeye hol\u00ea, hat\u00eeye avakirin. \u00c7awa ku bazara neft\u00ea \u00fb z\u00earan heye, bi dem\u00ea re bazara edeb\u00eeyat\u00ea j\u00ee h\u00ead\u00ee h\u00ead\u00ee ge\u015f b\u00fbye. Pi\u015ft\u00ee xebat\u00ean werger\u00ea (sedsala 19an) z\u00eade b\u00fbn, s\u00eenor\u00ea edebiyata c\u00eehan\u00ea berfirehtir b\u00fb \u00fb Par\u00ees di sedsala 19an de b\u00fb paytexta yekem a komara edeb\u00ee ya c\u00eehan\u00ea.<\/p>\n<p>Heb\u00fbna bazara edeb\u00eeyata c\u00eehan\u00ea \u00ead\u00ee ji al\u00eey\u00ea her w\u00eajekar\u00ee ve t\u00ea qeb\u00fblkirin. Gir\u00eaday\u00ee n\u00ear\u00eena serdest, nav \u00fb deng\u00ea niv\u00eeskar\u00ee li her der\u00ee belav neb\u00fbbe yan j\u00ee ew ne navek\u00ee gerd\u00fbn\u00ee be, ew mezin nay\u00ea hesibandin. Zehf\u00ee niv\u00eeskar\u00ean ji Afr\u00eeka, Asya \u00fb Amer\u00eekaya Ba\u015f\u00fbr \u00ean ku berhem\u00ean wan nagih\u00eejin xwendevan\u00ean navnetewey\u00ee, xwe serkeft\u00ee nahesib\u00eenin. Heta niv\u00eeskar\u00ean welat\u00ean bi h\u00eaz \u00ean wek\u00ee Almanya, Fransa \u00fb \u00cetalyay\u00ea gazin\u00ean xwe dikin \u00fb dib\u00eajin, em gelek\u00ee hewl j\u00ee didin l\u00ea em nikarin we\u015fangeran peyda bikin ku berhem\u00ean xwe bi \u00cengiliz\u00ee \u00e7ap bikin. Anegor\u00ee van niv\u00eeskaran, serneketina wan a gerd\u00fbn\u00ee, r\u00fbmeta wan a li welat\u00ea wan k\u00eam dike. Dema pirt\u00fbka niv\u00eeskarek\u00ee \u00eetal\u00ee li New York\u00ea \u00e7ap dibe ew niv\u00eeskar xwe serfiraz dihesib\u00eene. Di v\u00ea sedsal\u00ea de maf\u00ean romaneke ku h\u00eaj li welat\u00ea xwe nehat\u00eeye \u00e7apkirin, bo welatine din j\u00ee t\u00eane firotin. Dema ku xwendevanek\u00ee berhemeke Murakam\u00ee hilda dest\u00ea xwe, dizane ku ew berhem li seranser\u00ea c\u00eehan\u00ea di heman dem\u00ea de t\u00ea xwendin. Bi kurtas\u00ee xwendevan dibe endam\u00ea civaka gerd\u00fbn\u00ee. Ev helwest caz\u00eebeya pirt\u00fbk\u00ea z\u00eade dike. Ya rast \u201cw\u00eajeya c\u00eehan\u00ea\u201d (weltlitaratur) ne t\u00eageheke n\u00fb ye. Ev t\u00eageh, ewil ji al\u00eey\u00ea Goethe ve hat\u00eeye bikaran\u00een. Goethe di axaftina xwe de got\u00eeye: \u201chelbest milk\u00ea hevpar \u00ea mirovah\u00eey\u00ea ye. Di roja me ya \u00eero de tu wateyeke w\u00eajeya netewey\u00ee tune ye, serdema me serdema edeb\u00eeyata c\u00eehan\u00ea ye \u00fb div\u00ea w\u00eajeya c\u00eehan\u00ea ji bo v\u00ea serdem\u00ea bilez\u00eene \u00fb bi erka xwe rabe\u201d.\u00a0(1)<\/p>\n<p>Li gor\u00ee Adam Kirsch, \u201cheta ku afateke \u015faristan\u00eey\u00ea neqewime, \u00ead\u00ee ne p\u00eakan e ku em di edeb\u00eeyat\u00ea de vegerine ser w\u00ea n\u00ear\u00eena berteng a netewey\u00ee\u201d.\u00a0(2)\u00a0Kes\u00ea ku cara p\u00ea\u015f\u00ee daxwaza damezrandina Enternasyonala Entelektuel\u00eey\u00ea kir\u00eeye, niv\u00eeskar Valery Larbaud e. Bi n\u00ear\u00eena w\u00ee p\u00eaw\u00eest b\u00fb ku di edebiyat\u00ea de s\u00eenor\u00ean li ser t\u00eagih\u00ee\u015ftina neteweperest\u00eey\u00ea ji hol\u00ea b\u00ean rakirin. Edeb\u00eeyat, nikare wek\u00ee giraveke netewey\u00ee ya \u00eezoleb\u00fby\u00ee xwe (heb\u00fbna xwe) mezin bike. C\u00eehana edeb\u00ee ya gerd\u00fbn\u00ee, di sedsala 16an de dema w\u00eaje wek\u00ee qada teko\u015f\u00een\u00ea derket\u00eeye hol\u00ea, hat\u00eeye avakirin. \u00c7awa ku bazara neft\u00ea \u00fb z\u00earan heye, bi dem\u00ea re bazara edeb\u00eeyat\u00ea j\u00ee h\u00ead\u00ee h\u00ead\u00ee ge\u015f b\u00fbye. Pi\u015ft\u00ee xebat\u00ean werger\u00ea (sedsala 19an) z\u00eade b\u00fbn, s\u00eenor\u00ea edebiyata c\u00eehan\u00ea berfirehtir b\u00fb \u00fb Par\u00ees di sedsala 19an de b\u00fb paytexta yekem a komara edeb\u00ee ya c\u00eehan\u00ea. Di serdema Franco de j\u00ee Barcelona ji bo rew\u015fenb\u00eeran b\u00fb navendeke gir\u00eeng. Herweha Barcelona ji bo rew\u015fenb\u00eer\u00ean \u015fore\u015fger \u00ean ku ji derbey\u00ean fa\u015f\u00eest \u00ean ji Amer\u00eekaya Lat\u00een direv\u00een j\u00ee, b\u00fbb\u00fb sitargeh. Pi\u015ft\u00ee Par\u00ees \u00fb Barcelonay\u00ea, di sedsala 20\u00ee \u00fb 21\u00ea de London \u00fb New York j\u00ee ji bo edeb\u00eeyata c\u00eehan\u00ea, b\u00fbn navend\u00ean bi nav \u00fb deng. Kes\u00ean biryara romana gerd\u00fbn\u00ee digirtin, el\u00eet\u00ean \u00e7and\u00ee y\u00ean li van navendan b\u00fbn \u00fb wan biryar dida ka romana gerd\u00fbn\u00ee \u00e7i ye \u00fb \u00e7i n\u00eene.<\/p>\n<p>Demeke dir\u00eaj e n\u00eeqa\u015fa romana gerd\u00fbn\u00ee \u00e7i ye \u00fb \u00e7i n\u00eene, t\u00ea kirin. Adam Kirsch v\u00ea mijara li nav hev ket\u00ee pir bi h\u00easan\u00ee w\u00ea ji hev vedike \u00fb weha p\u00eanase dike: \u201cRomanek gava li ser serp\u00eahatiy\u00ean mirov\u00ean di sedsala 21\u00ea de difikire an j\u00ee dest bi vegotina van serp\u00eahatiyan dike, dibe romaneke gerd\u00fbn\u00ee\u201d.\u00a0(3)\u00a0Romann\u00fbs\u00ea sedsala 21\u00ea div\u00ea serp\u00eahat\u00eeya lokal li ser pa\u015fxaneyeke navnetewey\u00ee dramat\u00eeze bike. Bi rast\u00ee ew j\u00ee hinek caran bi ser\u00ea xwe t\u00eara v\u00ea yek\u00ea nake. Ziman\u00ea ku t\u00ea bikaran\u00een, ajans\u00ean navnetewey\u00ee \u00fb p\u00eevan\u00ean xelatan, qedera berhem\u00ean edeb\u00ee d\u00eeyar dikin. Bi nezera gelek rexnegiran, kesayet\u00ean navdar \u00fb dewlemend \u00ean c\u00eehan\u00ea biryara romana gerd\u00fbn\u00ee digirin. Serbar\u00ee ser, d\u00eesa ew di edebiyat\u00ea de derbir\u00eena wan felaketan d\u00eeyar dikin \u00ean ku qet bi ser\u00ea wan nehatine.<\/p>\n<p>Taybetmend\u00eeyeke din a ku bazara edebiyata c\u00eehan\u00ea derdixe p\u00ea\u015f, b\u00eaguman xelat\u00ean navnetewey\u00ee ne. Ed\u00ee ev xelat\u00ean navnetewey\u00ee nirx\u00ea pirt\u00fbkek\u00ea d\u00eeyar dikin. Gelek niv\u00eeskar\u00ean bi nav \u00fb deng, berhem\u00ean xwe li gor\u00ee h\u00eav\u00ee \u00fb daxwaz\u00ean van bazaran \u00fb xelatan diniv\u00eesin. Tim Parks, di v\u00ea mijar\u00ea de minak\u00ean balk\u00ea\u015f p\u00ea\u015fk\u00ea\u015f\u00ee me dike: \u201cNiv\u00eeskar\u00ean n\u00fbjen \u00ean wek\u00ee Per Peterson, Gerbrand Baker, Alessandro Baricco, Kazuo Ishiguro, roman\u00ean ku tu agahiy\u00ean balk\u00ea\u015f p\u00ea\u015fk\u00ea\u015f nakin, h\u00easan t\u00eane xwendin. Kazuo Ishiguroy\u00ee di hevpeyv\u00eenek\u00ea de dib\u00eaje, ez bo xwendevan\u00ean navnetewey\u00ee zimanek\u00ee ji metaforan, ji peyv\u00ean netew\u00ee hat\u00eeye \u015f\u00fb\u015ftin, bi kar t\u00eenim. Hin niv\u00eeskar\u00ean Skand\u00eenav\u00ee ku ez wan ba\u015f nas dikim, ji bo xwendevan\u00ean \u00ceng\u00eel\u00eez\u00ee ji nav\u00ean dijwar d\u00fbr disekinin, bar\u00ea werg\u00earan sivik dikin\u201d.\u00a0(4)\u00a0L\u00ea d\u00eesa j\u00ee ev bazar dev ji vegotin\u00ean fantast\u00eek \u00ean c\u00eehana s\u00eayem\u00een bernade. Gelek niv\u00eeskar\u00ean ji kolon\u00eey\u00ean ber\u00ea yan j\u00ee ji y\u00ean ji c\u00eehana duyem\u00een t\u00ean, bo bala c\u00eehana Rojava biki\u015f\u00eenin ser xwe, ji ne\u00e7ar\u00ee behsa pirsgir\u00eak\u00ean welat\u00ea xwe dikin. Welat gelek caran bi nostalj\u00eey\u00ea t\u00ea bi b\u00eer an\u00een \u00fb ew wek\u00ee bihu\u015fteke egzot\u00eek t\u00ea binavkirin. Axa ku ew ber\u00ea l\u00ea dij\u00eeyan dibe n\u00eega\u015feke ge\u015ft\u00eeyar\u00eey\u00ea. P\u00eawend\u00eeya mijar \u00fb b\u00fbyeran bi rast\u00ee \u00fb d\u00eerok\u00ea ve tune ye, jixwe ev meseleyek ne gir\u00eeng e. Edeb\u00eeyat, nimandina (index) hest\u00eeyar\u00ee \u00fb empat\u00eey\u00ea ye. Tu pirsgir\u00eakek di \u00e7ar\u00e7oveyeke d\u00eerok\u00ee \u00fb civak\u00ee de nay\u00ea vekolandin. Pirsgir\u00eak\u00ean d\u00eerok\u00ee y\u00ean wek\u00ee \u015fer, komkuj\u00ee, ko\u00e7ber\u00ee \u00fb zayendperest\u00eey\u00ea m\u00eena ku ten\u00ea pirsgir\u00eak\u00ean dewlet\u00ean pa\u015fver\u00fb yan j\u00ee y\u00ean total\u00eeter bin, t\u00ean d\u00eetin. Nasnamey\u00ean t\u00eane \u00e7ewisandin, li gor\u00ee n\u00ear\u00eena oryantal\u00eest t\u00eane p\u00ea, yan na pirsgir\u00eaka sereke ne h\u00eeyerar\u015f\u00ee \u00fb newekhev\u00eeya di navbera nasnamey\u00ean c\u00eehan\u00ea de ye. Mirov dikare bi saya ser\u00ea \u201cromana gerd\u00fbn\u00ee\u201d, derheq\u00ea zulm\u00ea de bi agah\u00eeyan bihese, l\u00eabel\u00ea piran\u00eeya sedem\u00ean b\u00fbyeran d\u00eeyar n\u00een in. Di w\u00ea de herkes \u00fb herti\u015ft bi awayek\u00ee helal-zelal dixuye, l\u00ea her ti\u015ft di cih\u00ea xwe de dim\u00eene \u00fb ew ji bo guhertin\u00ea \u00fb rizgar\u00eey\u00ea r\u00eayek\u00ea n\u00ee\u015fan\u00ee xwendevan\u00ean xwe nade.<\/p>\n<p>Feqet avantaja siyas\u00ee ya edeb\u00eeyat\u00ea ev e, ew dikare hinek ti\u015ftan betal bike \u00fb xeyala hinek ti\u015ftan bi mirov\u00ee re \u00e7\u00eabike, zor\u00ea bid\u00eey\u00ea \u00fb hej\u00ea bi hinek ti\u015ftan bixe. B\u00eaguman di edeb\u00eeyata c\u00eehan\u00ea de demareke cuda \u00fb \u015fore\u015fger j\u00ee heb\u00fb\/heye, bi ziman\u00ea dagirkeran (\u00eespan\u00ee, portek\u00eez\u00ee, frans\u00ee, \u00eeng\u00eel\u00eez\u00ee) hatib\u00fb niv\u00ees\u00een l\u00eabel\u00ea ev edeb\u00eeyat berdevk\u00ea bindestan b\u00fb, w\u00ea hewl dida ku d\u00eeroka kolonyal\u00eezm\u00ea ragih\u00eene c\u00eehan\u00ea. Bi saya ziman\u00ean kolonyal \u00ean gerd\u00fbn\u00ee ew j\u00ee tev\u00ee \u201cKomara Edebiyata C\u00eehan\u00ea\u201d b\u00fbn. Bi qewl\u00ea Salman Rushdie, \u201cdema dagirker\u00ean \u00e7erm\u00ea wan pembe veger\u00eeyane welat\u00ea xwe, wan li pey xwe; parlamentoy\u00ean xwe, dibistan\u00ean xwe, r\u00eay\u00ean xwe y\u00ean fireh \u00fb ziman\u00ea xwe hi\u015ftin\u201d. Ew ziman\u00ea wan, gelek caran m\u00eena \u00e7ekek\u00ea li dij\u00ee desthilatdar\u00ean c\u00eehan\u00ea hate bikaran\u00een. Berhem\u00ean v\u00ea kevne\u015fop\u00eeya edeb\u00ee, ji romana gerd\u00fbn\u00ee ya \u00eeroy\u00een pir cuda ye. Derbar\u00ea ya gelemper\u00ee de n\u00een e, berovaj\u00ee w\u00ea ew ji serp\u00eahatiyeke dewlemend p\u00eak t\u00ea. Mekan ne cihek\u00ee gerd\u00fbn\u00ee ye, hem\u00fb b\u00fbyer di j\u00eengehek\u00ea de diqewimin. Taybetmend\u00eeya her\u00ee gir\u00eeng, t\u00eakiliy\u00ean civak\u00ee \u00fb abor\u00ee, r\u00ea\u00e7a j\u00eeyana takekes\u00ee diyar dikin. Di van romanan de h\u00eamana her\u00ee gir\u00eeng a ku ji j\u00eeyana kesan p\u00eak t\u00ea \u00e7i ye? Helbet j\u00eeyana lokal e. Heb\u00fbna ji d\u00eerok\u00ea, abor\u00eey\u00ea \u00fb s\u00eeyaset\u00ea bandor negirtibe tune ye. Ev edeb\u00eeyat ten\u00ea ji \u00ea\u015f \u00fb mexd\u00fbriyet\u00ea p\u00eak nehat\u00eeye, w\u00ea serhildan \u00fb \u015fore\u015f j\u00ee xist\u00eeye rojeva c\u00eehan\u00ea. W\u00ea t\u00eako\u015f\u00eena kes\u00ean ku dixwazin \u00e7aren\u00fbsa xwe ya takekes\u00ee \u00fb civak\u00ee biguher\u00eenin, pir e\u015fkere raxist\u00eeye p\u00ea\u015f \u00e7avan. W\u00eajeyeke wisa ye ku ruh\u00ea her serhild\u00earek\u00ee t\u00eak\u00e7\u00fby\u00ee di her r\u00fbpeleke w\u00ea de t\u00ea h\u00eeskirin. Edeb\u00eeyata Amer\u00eekaya Lat\u00een a Afr\u00eekay\u00ea \u00fb Hindistan\u00ea bi berhem\u00ean bi h\u00eaz \u00ean v\u00ea kevne\u015fop\u00eey\u00ea ve t\u00eane naskirin. Pascale Casanova, ji bo van romann\u00fbsan v\u00ea t\u00eag\u00een\u00ea bikar t\u00eene: \u201cdiz\u00ean \u00eagir\u201d. Ev diz\u00eeya zim\u00ean ji bo niv\u00eeskar\u00ean ku ji ziman\u00ea xwe b\u00eapar mane, t\u00ea bikaran\u00een. Li gor\u00ee niv\u00eeskar\u00ea Cezay\u00eer\u00ee Jean Amrouche: \u201cY\u00ean ku hatine m\u00eat\u00eengehkirin ne m\u00eeratxur\u00ean \u00e7andeke dewlemend in, ew diz\u00ean \u00eagir in\u201d\u00a0(5)\u00a0Ji bo ku bikevine nava komara edebiyata c\u00eehan\u00ea, wan bi ne\u00e7ar\u00ee bi ziman\u00ea m\u00eat\u00eenkaran niv\u00eesandin. Duziman\u00ee, jixwe encameke p\u00eaw\u00eest a diyalekt\u00eeka kolonyal e. Wan tu caran m\u00eerateya xwe ya \u00e7and\u00ee \u00eenkar nekirin \u00fb wan hewl dan ziman\u00ea xwe yan j\u00ee bi ziman\u00ea xwe y\u00ea biyan\u00ee bigih\u00eenin edeb\u00eeyata c\u00eehan\u00ea. Wan efsaney\u00ean xwe y\u00ean netewey\u00ee, \u00e7\u00eerok\u00ean xwe y\u00ean gel\u00ear\u00ee \u00fb vegotin\u00ean devk\u00ee li roman\u00ean xwe y\u00ean n\u00fbjen re\u015fandin. Ew mafdar b\u00fbn, ji bo ku d\u00eerokeke edeb\u00ee p\u00eak were, p\u00eaw\u00eest e mirov di navbera w\u00eaje \u00fb d\u00eerok\u00ea de t\u00eakil\u00eeyek\u00ea dayne \u00fb j\u00ea biafir\u00eene.<\/p>\n<p>Romanniv\u00ees\u00ea ku v\u00ea serdem\u00ea berhem\u00ean xwe ne bi \u00eeng\u00eel\u00eez\u00ee l\u00ea bi zimanek\u00ee din diniv\u00eese, nikare bala c\u00eehan\u00ea bide ser xwe \u00fb nikare xwe bigih\u00eejine xwendevan\u00ean li seranser\u00ea c\u00eehan\u00ea. \u00cero roj kehaneta Goethe p\u00eak hat, l\u00eabel\u00ea \u201cserdema edeb\u00eeyata c\u00eehan\u00ea\u201d bi co\u015f \u00fb kelecan\u00ee nay\u00ea p\u00ea\u015fwaz\u00eekirin. Piran\u00eeya rexnegir\u00ean w\u00eajey\u00ea, rengvedana zordest\u00eeya (hegemony) \u00eeng\u00eel\u00eez\u00eey\u00ea him di w\u00eajeya c\u00eehan\u00ea de him j\u00ee di romana gerd\u00fbn\u00ee de dib\u00eenin. Romann\u00fbs\u00ea Japon\u00ee \u00fb pispor\u00ea w\u00eajeya Frans\u00ee M\u00eenae Mizim\u00fbra (2015), di pirt\u00fbka xwe ya bi nav\u00ea \u201cThe Fall of Language in the Age of English\u201d de d\u00eeyar dike ku gelek ziman\u00ean wek\u00ee lat\u00een\u00ee, \u00e7\u00een\u00ee, ereb\u00ee \u00fb frans\u00ee di d\u00eerok\u00ea de wek\u00ee ziman\u00ean navnetewey\u00ee hatin pejirandin l\u00ea \u00eero roj yek ji wan j\u00ee bi qas\u00ee \u00ceng\u00eel\u00eez\u00ee li c\u00eehan\u00ea serdest neb\u00fb. Ji ber v\u00ea yek\u00ea \u00ead\u00ee gelek niv\u00eeskar berhem\u00ean xwe ne bi ziman\u00ea xwe y\u00ea netewey\u00ee, bi \u00eeng\u00eel\u00eez\u00ee diniv\u00eesin. Xwendevan\u00ean gerd\u00fbn\u00ee, bo m\u00eenak dixwazin ku vegotin\u00ean hindistan\u00eeyan an j\u00ee ya Amer\u00eekaya Lat\u00een bi \u00eemgey\u00ean wan re li hev bikin. Gelek romann\u00fbs\u00ean gerd\u00fbn\u00ee j\u00ee \u00ead\u00ee gir\u00eaday\u00ee wan daxwazan diniv\u00eesin, gelek caran kl\u00ee\u015fey\u00ean xwe dubare dikin, bi kurt \u00fb kurmanc\u00ee nah\u00ealin xwendevan \u00fb cudah\u00eey\u00ean rast\u00een werine r\u00fby\u00ea hev. Roman\u00ean ku van kl\u00ee\u015feyan ducare nakin, \u00ean xwed\u00ee derdek\u00ee netewey\u00ee \u00fb civak\u00ee ne, nagih\u00eajine xwendevan\u00ean navnetewey\u00ee. D\u00eesa j\u00ee berhem\u00ean ku mirov dikare wan wek\u00ee \u201croman\u00ea gerd\u00fbn\u00ee\u201d bi nav bike, ji al\u00eey\u00ea mijar \u00fb \u015f\u00eawaz\u00ea ve cih\u00eareng\u00eeyeke dewlemend n\u00ee\u015fan didin. Di v\u00ea \u00e7ar\u00e7ovey\u00ea de romana Elena Ferrantey\u00ea, \u201cRoman\u00ean Napol\u00ee\u201d bi tena ser\u00ea xwe m\u00eenakeke ba\u015f e. Niv\u00eeskar di v\u00ea r\u00eazeroman\u00ea de \u00e7irokeke gelek her\u00eam\u00ee vedib\u00eaje l\u00ea di heman dem\u00ea de ew bandor\u00ean gerd\u00fbn\u00ee y\u00ean kap\u00eetal\u00eezm\u00ea \u00fb nakok\u00eey\u00ean s\u00eeyas\u00ee y\u00ean li welat\u00ea xwe j\u00ee bi serkeft\u00ee n\u00ee\u015fan dide. Careke din destn\u00ee\u015fan dike ku tu rast\u00eeyeke her\u00eam\u00ee \u00fb netewey\u00ee ji dinyay\u00ea der n\u00een e \u00fb dinya j\u00ee ne cihek\u00ee ji wan deran e yan j\u00ee serbixwe ye.<\/p>\n<p>Wisa dixuye ku w\u00ea di sal\u00ean p\u00ea\u015f de j\u00ee li ser romana gerd\u00fbn\u00ee, n\u00eeqa\u015f\u00ean xurt\/tund \u00e7\u00eabibin. H\u00eav\u00ee dikim w\u00eajeya kurd\u00ee j\u00ee di demeke n\u00eaz\u00eek de ji bo ziman\u00ean din \u00ean c\u00eehan\u00ea were wergerandin \u00fb bibe per\u00e7eyeke xurt a edebiyata c\u00eehan\u00ea.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Navenda n\u00fb\u00e7eyan C\u00eehana edeb\u00ee ya gerd\u00fbn\u00ee, di sedsala 16an de dema w\u00eaje wek\u00ee qada teko\u015f\u00een\u00ea derket\u00eeye hol\u00ea, hat\u00eeye avakirin. \u00c7awa ku bazara neft\u00ea \u00fb z\u00earan heye, bi dem\u00ea re bazara edeb\u00eeyat\u00ea j\u00ee h\u00ead\u00ee h\u00ead\u00ee ge\u015f b\u00fbye. Pi\u015ft\u00ee xebat\u00ean werger\u00ea (sedsala 19an) z\u00eade b\u00fbn, s\u00eenor\u00ea edebiyata c\u00eehan\u00ea berfirehtir b\u00fb \u00fb Par\u00ees di sedsala 19an de b\u00fb [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":67689,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"jnews_post_split":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-67688","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/ronahi.net\/ku\/index.php?rest_route=\/wp\/v2\/posts\/67688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ronahi.net\/ku\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ronahi.net\/ku\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ronahi.net\/ku\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ronahi.net\/ku\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=67688"}],"version-history":[{"count":1,"href":"https:\/\/ronahi.net\/ku\/index.php?rest_route=\/wp\/v2\/posts\/67688\/revisions"}],"predecessor-version":[{"id":67690,"href":"https:\/\/ronahi.net\/ku\/index.php?rest_route=\/wp\/v2\/posts\/67688\/revisions\/67690"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ronahi.net\/ku\/index.php?rest_route=\/wp\/v2\/media\/67689"}],"wp:attachment":[{"href":"https:\/\/ronahi.net\/ku\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=67688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ronahi.net\/ku\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=67688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ronahi.net\/ku\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=67688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}